Tapestry Topics Online
A Quarterly Review of Tapestry Art Today

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Spring 2006, Vol 32 No 1

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"Softscapes and Hardscapes" by Elyse Koren-Cammara

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Kuchma's "Wing Right" divided the space with one sentry-like gesture. The soft once again joins the hard.

above: Lialia Kuchma, Wing Right, 96" high.

[Lisa Harris’s] "graphically strong and iconic in stature" forms, literally transform to "Grain Silos" and "Grain Elevator" vessels, teapots. The irony is that Harris's work is a subtle reflection of McGinn's current efforts. The Grain Elevator has taken on a new meaning of time, place, history, and memory. McGinn's monumental tapestry "Corrugated Futures 1: The Long Hedge" examines the iconography of the everyday.

above: Anne McGinn, Corrugated Futures 1: The Long Hedge, 72" x 66". Linen warp, wool weft.

We were next met with the musical blast of Anne McGinn's "Pythagorean" trio. Based on the idea of sound waves, McGinn's "temperament" is no "jive." These weavings, done without a cartoon, burst, bend and shout with joy, music and math at their most energetic.

above: Anne McGinn, Pythagorean Temperament Jive, Baby, with Coleus Overtones 1, 5" x 11". Linen warp, wool weft tapestry.
below: Anne McGinn, Pythagorean Temperament Jive, Baby, with Coleus Overtones 2, 5" x 11". Linen warp, wool weft tapestry.

Lialia Kuchma's "Blue Fruit" commanded the entire back wall of the gallery.  Fruit flows into space; color resonates and vibrates in the viewer's mind and spirit. All is one.

above: Lialia Kuchma, Blue Fruit

Finally, the exhibit is rounded out with the extraordinary technique and use of color in Odette Brabec's diptychs, "Flights of Fancy" and "Oasis". Brabec's nature-based works are both fanciful and a "well-spring that evokes the artist's memory."

 

above: Odette Brabec, Flights of Fancy, diptych, 24" x 24" each.

All in all, "Softscapes & Hardscapes" was a tribute to the concept of mixing media and metaphor. The overall beauty, contrast, contour, texture of the work was truly astounding. This exhibition worked on all levels.

 

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