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Spring 2009 Vol 35 No 1
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Review: TWiNE on Display
By Micala Sidore

. . . TWiNE, Tapestry Weavers in New England, held their first meeting in Guild, NH, in the fall of 1991. . . . TWiNE has had a few small exhibitions. This most recent [one] at the River Tree Center for the Arts in Kennebunk, ME, was possibly the most ambitious  Members Jan Austin, Michelle Mancini and Susanne Pretty juried sixty-seven entries, and selected forty-two. . . At least one piece by each member submitting work made the cut. . . . All in all, the TWiNE exhibit showed a high level, not just of technical competence, but also of care in imaginative design.


Below
: Mary Adebonojo, The Heavens Declare Their Glory, 12" x 15

Below
: Priscilla May Alden, Meadow Cove, 54" x 36"

Below
: Estela Serafini, Knowledge Tearing the Ignorance, 7" x 7", 2001; wool, sewing threads, cottony shaving, wire treads, zebra wood, aluminum

Below: Elinor Steele, Autumn Leaves Winter, 30" x 24"

Below
: Elizabeth Trockl, Wedding Blanket, 57" x 34.5"


 

Review: Different Perspectives
By Anne Jackson

 

Four leading British tapestry artists recently exhibited at the BSW Gallery, Exeter, Devon, U.K. . . . This show represented a synthesis of four very different approaches to tapestry weaving. . . . The four perspectives on the world and weaving were united as a harmonious whole, a fitting achievement for a contemporary tapestry gallery, as creating coherence from diverse strands and materials is the technical heart of the weaver’s art.

Below: Fiona Mathison, Where two tides meet, 120cm x 113cm, 2006; woven on cotton warp at 8 epi with a cotton, linen, monofilament and paper yarns.

Below: Fiona Mathison, Felled

Below: Fiona Mathison, Fruit Tree

Below: Fiona Mathison, Fruit Tree, detail

Below: Fiona Mathison, Fruit Tree, project study



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