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The Silvia Heyden Experience
by Lyn Hart
Simplicity of form. Purity of color. Minimal motifs woven in repetitive patterns. These basic concepts, which echo the disciplined tenets of the Bauhaus, have been masterfully worked into vibrant and complex designs on Silvia Heyden’s loom for decades. Heyden taught a workshop entitled “Tapestry: Art Form of its Own” in Mendocino, California. After she greeted us by stating, “Tapestry is something old I want to make new again,” fourteen students attempted to absorb in five days what it has taken Silvia a lifetime to understand and what she continues to explore. |
below: Heyden discusses weaving technique she used in “Eno from Above” displayed at Flockworks Studio Gallery. |
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below: Students work on their Color-Aid design exercises while Silvia observes. |
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below: At the Mendocino Art Gallery, Silvia lectures on the inspiration and techniques used for weaving “Lago Maggiore” (right) and “Translucent” (left). |
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below: Silvia Heyden, “Translucent” (detail) |
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below: Silvia Heyden, “Eno from Above” (detail) |
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below: Silvia displays and discusses her pick and pick sampler. |
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below: Silvia Heyden, “Lago Maggiore” (detail) |
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below: The workshop touring Pacific Textile Arts |
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Tapestry Topics Online
Winter 2009 Vol 35 No 4
A Quarterly Review of Tapestry Art Today
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Index of Content |
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